Follow

Submissions from 2024

PDF

Internship With the Scarring Alopecia Foundation, Shannon Bagnell

Submissions from 2021

File

The Broadcasting Of Morality, Harry Callahan

File

The Newfound Influence of the Online Gambling Industry, Carmen Christiana

File

The Portrayals of Grief and How it Affects Childhood Development on Netflix’s Haunting of Hill House, Gabriella DeMelfi

File

Mixed-ish: Disingenuous Dialogue and Narrative Structure, Shelsea Deravil

File

Northwestern Mutual Spring Internship 2021, Aaron Diamond

File

Body Image Through the Platform of Lizzo: Looking Through the Lens of Social Media and Influencers, Annellie Freed

File

Disparities in Sports Media Representation, Madison Handwerger

File

The Year Of Pivoting: Working in an Admissions Office Amid a Pandemic, Emma Kramer

File

Bride and Prejudice: Color, Caste, and Compromise Within the Paradigm of Arranged Marriage in Netflix’s "Indian Matchmaking", Simra Mariam

File

BELLA Magazine Internship, Madison McHugh

File

Lebron James and Politics, Jack Packer

File

How the Netflix Movie "Circle" Constructs Stereotypes, American Values and Identity Within American Society, Kathleen Saddler

File

Undoing the Unhinged Woman: An Examination of Contemporary Media Representation of Women and Ideology, Alyssa Scanlon

File

How Does Advertising Handle Catastrophe? A Look into Advertising During the Covid-19 Pandemic, Claire Vance

File

Inequity in Montgomery County Public High Schools, Alex Wagoner and Carli Heimann

File

The Grass Isn’t Always Greener, James Walsh

Submissions from 2020

File

Haitian Cinema: A Stylistic Analysis & Call for Action and Inclusion, Shelsea Deravil

File

Talking About Race in The College Classroom: An Analysis of Facework, Katelyn Doherty

File

Fake Views? Whether, When and Why Conservative Students Express Authentic Political Views on Campus, Kathleen Saddler

File

The Black Aesthetic: Re-Directing the Gaze of the Culture to the Screen, Zainab Williams

Submissions from 2019

PDF

Kline & Specter: A Professional Corporation, Ibraheem Bussey