Submissions from 2021
The Broadcasting Of Morality, Harry Callahan
The Newfound Influence of the Online Gambling Industry, Carmen Christiana
The Portrayals of Grief and How it Affects Childhood Development on Netflix’s Haunting of Hill House, Gabriella DeMelfi
Mixed-ish: Disingenuous Dialogue and Narrative Structure, Shelsea Deravil
Northwestern Mutual Spring Internship 2021, Aaron Diamond
Body Image Through the Platform of Lizzo: Looking Through the Lens of Social Media and Influencers, Annellie Freed
Disparities in Sports Media Representation, Madison Handwerger
The Year Of Pivoting: Working in an Admissions Office Amid a Pandemic, Emma Kramer
Bride and Prejudice: Color, Caste, and Compromise Within the Paradigm of Arranged Marriage in Netflix’s "Indian Matchmaking", Simra Mariam
BELLA Magazine Internship, Madison McHugh
Lebron James and Politics, Jack Packer
How the Netflix Movie "Circle" Constructs Stereotypes, American Values and Identity Within American Society, Kathleen Saddler
Undoing the Unhinged Woman: An Examination of Contemporary Media Representation of Women and Ideology, Alyssa Scanlon
How Does Advertising Handle Catastrophe? A Look into Advertising During the Covid-19 Pandemic, Claire Vance
Inequity in Montgomery County Public High Schools, Alex Wagoner and Carli Heimann
The Grass Isn’t Always Greener, James Walsh
Submissions from 2020
Haitian Cinema: A Stylistic Analysis & Call for Action and Inclusion, Shelsea Deravil
Talking About Race in The College Classroom: An Analysis of Facework, Katelyn Doherty
Fake Views? Whether, When and Why Conservative Students Express Authentic Political Views on Campus, Kathleen Saddler
The Black Aesthetic: Re-Directing the Gaze of the Culture to the Screen, Zainab Williams
Submissions from 2019
Kline & Specter: A Professional Corporation, Ibraheem Bussey
