Submissions from 2025
Anti-Blackness Bots in Artificial Intelligence, Orianna N. Oliver
From Monsters to Mothers and Daughters of the Macabre: Evolving Depictions of Black Girlhood, Womanhood, and Motherhood in Horror, Cara L. Shockley
Submissions from 2024
"Black History is Black Horror”: A Filmic Analysis of Trauma in Horror Noire, Kyra Norman
Submissions from 2022
Strategic Imbalance: How the Consistent and Disproportionate Use of Black People for Medical Advancements Led to Modern Iatrodyspistia, Te-ojah Dennison-Morgan
A Silent Outrage: Black Youth, Anti-Blackness, and Mental Health in the School-to-Prison Pipeline, Destiny Miller
Submissions from 2021
I Am a Revolutionary?: The Problem of the Black Panther Party’s Intra- and Interorganizational Solidarity, Camille R. Mills
Whom Does Black Liberation Theology Seek to Liberate?: Gender and Sexuality in Enon Tabernacle Baptist Church’s Christian Doctrine, Nasya Stinson
Robbery Or Remix?: Cultural Appropriation in International Hip Hop Communities, Joshua Walker
Submissions from 2019
Black Women’s Wellbeing: The Intersections of Race, Immigrant Status, and Mental Health Among African Diasporan Women in Houston, Texas, Sianneh Vesslee
The Shape of You: Music's Impact on Identity, Codi Yhap
Submissions from 2016
Cultural Re-appropriation and the Black Woman’s Ambivalent Relationship With Representations of Her Identity, Alexzandria Luben
Submissions from 2015
Duplicated Negations: I am Double the Minority, La'Shante P. Cox
